In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.

The 20 episode miniseries edited into a 141 minute TV film. The beautiful Flor marries Vadinho and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.

A bedroom. A husband, a lover, a closet. A pair of shoes. Oh, and a wife... and a camera crew.

Diogo and Emília have been together for 16 years. They have a teenage daughter and undergo a tedious phase. However, everything turns upside down when they find out their best friends, Ricardo and Bettina, have an open marriage. More than that: they are swingers, are super cool about this choice, and try to convince the other couple that it is possible to be quite happy with this liberal lifestyle. This news comes like a bolt from the blue. After reacting badly to the idea, Emília gets excited and convinces Diogo to, at least, go to a party with Ricardo and Betina's "gang". And that is when a series of events that will shake the couple's boring little life starts. Will they set their jealousy aside and become supporters of this practice?

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Caio and Fabrício share the same cell in a prison. They live together in a relationship based on physical, sexual and psychological violence. Caio wants to get rid of Fabrício's domination. The desire for revenge feeds and disturbs him. His past is revealed, enabling new ways.

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